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‘Dhamaka’ movie review: Ravi Teja is in his elements, but the story is old and jaded
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When a wicked businessman JP (Jayaram) makes a smart-sounding statement, a character asks him if he is related to noted writer and director Trivikram Srinivas. This is perhaps the closest that the makers of Dhamaka come to acknowledging the influence of Trivikram Srinivas’ films, especially Ala Vaikunthapurramuloo. The presence of actors Jayaram and Sachin Khedekar heightens that hangover. Director Trinadha Rao Nakkina who shares the writing credits with Prasanna Kumar Bezawada presents a story that involves two families — one middle-class and one uber-rich business family — and places Ravi Teja in both of them, portraying opposite personalities to fit into the ‘mass’ and ‘class’ mould.
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The film doesn’t take itself seriously, and neither should we. It is content with showcasing an energetic Ravi Teja in two avatars — businessman Anand and a job-seeking Swami. At the fag end of 2022, a time when we look back and take stock of newer narratives in Telugu cinema, Dhamaka is proof that a section of filmmakers is content serving the same old wine in the same old bottle.
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